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" /> The Good Shepherd – Wolfie Wolfgang

The Good Shepherd

 

Director Robert De Niro’s film is long and slow but, if you give it a chance, it brings its own rewards.

Edward Wilson (Matt Damon) is a high-flyer at Yale University in 1939 when he is recruited to join the American secret service. His hidden life gives him first hand experience of the Second World War and the Soviet expansion into Eastern Europe whilst his beautiful wife, Clover (Angelina Jolie) and only son, Edward Junior (Eddie Redmayne) suffer in ignorance.

By 1961, Edward is involved in a failed invasion of Cuba. “A stranger in the house” has leaked the plan to the Russians and the search is on to find the double agent. His family life in ruins and his loyalties severely stretched, Edward discovers that friends can be enemies and enemies can be friends.

They say:

New York Observer: “No previous American film has ventured into this still largely unknown territory with such authority and emotional detachment. For this alone, The Good Shepherd is must-see viewing.”

Los Angeles Times: “An intricate, deliberately paced work that not only quietly presents this quicksand world but also makes us feel what it would be like to live in it.”

We say:

The Godfather it ain’t but in only his second movie as a director, Robert De Niro has come up with something pretty impressive.

OK, it’s long and very slow moving – it has an elegant and stately tread in slow 2/2 time – but it is stylish and absolutely refuses to compromise.

Spies don’t usually come from exotic Mafioso families. They are anonymous, silent and secretive. This, of course, is Robert De Niro’s problem. He has set out to dramatise the deafening silence of counter-intelligence without falsifying a world where very few cards are ever put on the table and where it is not wise to wear your heart on your sleeve.

And, in case we Brits think we have a monopoly on stiff upper lip, the movie’s CIA agents make Jeeves look like Jade Goody on a bad day.

You will hate it if you were one of those kids who kept asking “are we there yet?” but if you are prepared to enter De Niro’s tightly organised, beautifully shot and carefully orchestrated world then you will be moved by its humanity and, when the shocks do come, you will be stirred beyond your expectations.

Matt Damon, who has never had Jim Carey’s facial elasticity or Jet Li’s rubber limbs, brings all his sober and solid charms to the central role of Edward Wilson, the perfect spy who has the stiffest upper lip anywhere outside of a mortuary.

It is a tough call with most of the acting concentrated around his mouth which can be kept resolutely shut as required by the job but which can flicker with emotion or tension and very occasionally and most movingly, burst into life when he allows his real self to emerge.

When he falls in love with the profoundly deaf Laura (the excellent Tammy Blanchard) who has to lip-read his usually deadpan face, he is forced to move those lips and the screen virtually explodes. This film is very good on the slow burn.

Robert De Niro has drawn some mightily impressive names into his cast – it would have been an impossible dream for any other trainee director to assemble such a line-up.

Joe Pesci’s brief cameo reprises, wittily, his long line of dodgy Italian/Americans whilst Michael Gambon delivers another of his magnificent human ruins. William Hurt demonstrates his ability to impersonate nice guys with troubled interiors and De Niro finds time for a powerful performance as the tough but fair general.

It isn’t just the big stars that shine. Some of the best acting comes from lesser names such as John Turturro as a no nonsense CIA operative and Eddie Redmayne as Wilson’s neglected and vulnerable son.

Angelina Jolie is the problem casting here. Beautiful, gorgeous even, she is just too exotic for this movie with its varying shades of grey. We just don’t get why she would fall for a guy like Wilson. If she can fancy him then none of us are safe from marauding screen goddesses whenever we go out at night.

Her other problem is that, whilst Matt can get away with the tricky age range from fresh-faced eighteen to baby-faced forty, Angelina just can’t get away with young any more. She has wrinkles now, sexy ones for sure, but wrinkles just the same and her hands have “gone”. Looks like she’s been hand-washing too many of Brad Pitt’s smalls.

If you don’t like your films slow and long then stay away but if you are interested in a thoughtful and skilled movie about the secret world that still controls our lives then go to a cinema with comfortable seats and allow it to work its magic.

Cert 15

Starring:
Matt Damon, Angelina Jolie, Alec Baldwin, Robert De Niro, William Hurt, Michael Gambon, Joe Pesci, Tammy Blanchard.

Director:
Robert De Niro

Running time:
167 minutes

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